Suits Vanish and Paintings Blur: Basel’s Art World in Flux
At Art Basel, the world’s most prestigious art fair, the usual parade of tailored suits gave way to a new generation of streetwear-clad collectors, signaling a subtle shift in the art market’s social fabric. Despite bustling crowds—especially with the return of Asian collectors—dealers whispered about a market that felt more cautious than feverish. American buyers, once mainstays, mostly stayed home, having snapped up their favorites online before the fair even began.
Meanwhile, photography is quietly masquerading as painting. Artists like Francisco Tavoni and Luuk de Haan are blurring the boundaries between mediums, using fabric and light to craft images that trick the eye and challenge tradition.
Summer auctions are spotlighting emerging talents, with queer figurative artists and surrealists like Emily Ludwig Shaffer and Alicia Adamerovich gaining traction. As the art world pivots from marathon fair-hopping to selective, relationship-driven gatherings, it’s clear: the lines between old and new, painting and photo, insider and outsider, are all up for creative negotiation.
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