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ian15

A Film That Smells Like Forest

93 minutes of pure atmosphere—somewhere between dream, documentary, and ritual. A quiet, overlooked gem that feels like a prose poem set to film. Through water as a motif, it traces the delicate lines between nature, the human body, and strange beauty. Moss, minerals, movement. And yes—an H.E. reactor appears by the end, as the film slips from the serene to the surreal. We follow Jonas, who studies insects and fish. He meets someone in a garden. They leave the city, camp by a lake, read books, eat fruit, and swim in water so cold it silences the world. Then—another stranger. A trio forms. But somewhere else, by another lake, another trio exists. Different time. Different place. 🌲 Three textures. Three mediums. One haunting kind of beauty. What’s a film that made you feel like you’d stepped out of time? #entertainment #movie #filmasritual

A Film That Smells Like Forest
ian15

Films I Still Think About (Even Months Later)

Some films don’t stay long in your head—but some do. These are the ones that left something behind. A sentence. A scene. A shift in how I see things. — La Ricotta (1962): Living freely might just be the hardest thing to do. The August Virgin (2019): Talking to strangers made a whole summer feel full. Girl (2018): Becoming a girl isn’t a soft journey—it’s brave and painful. Frances Ha (2012): She’s a mess and radiant. I hope I stay brave enough to be both. — Antonia’s Line (1995): A family of women, holding each other up with love. Youth Yesterday (2024): How friends shape us, more than we notice. Still Walking (2008): The quiet, beautiful ache of family memory. The Swamp (2020): Damp, slow, heavy—some stories promise nothing, and that’s the point. — Autumn Days (2024): Can today’s lies soften yesterday’s pain? Maborosi (1995): Grief that stays silent until it doesn’t. All Around Us (2008): Life gets better, slowly, after the storm. Memoirs of a Snail (2024): Animated, yes—but not light. It hurts, honestly. — Haven’t found anything that moved me lately. No new list this July. Watching movies used to be my escape—now I’m just taking my time. If you’ve seen anything recently that stayed with you, I’d love to hear. And hey, hope July’s kind to you. 🌙 #entertainment #movie #filmsthatlinger

Films I Still Think About (Even Months Later)
ian15

Hidden Gems | “Beauty That Breaks Your Heart”

Camus said, “Beauty makes people sad,” because things become even more heartbreaking the moment they break. These 6 films are stunningly beautiful, but also deeply sad to watch. ① “White Meadow” I always thought Jafar Panahi was jailed for his own films, but it turns out it was because of his editing work on this one. I don’t fully get the political metaphors, but the cinematography is gorgeous, very much like Andrei Tarkovsky’s style—making the reality feel even heavier. ② “Shadows of Forgotten Ancestors” Saw this at a film archive. Sergei Parajanov is a true cinematic poet, and the camera work here is incredible. It’s like a narrative poem, where the poetry lives in the fluid, layered movement of the shots. ③ “The Crying Meadow” I rarely recommend Tarkovsky (he’s a master, after all), but I love watching his shadows and light, especially on the big screen. His films feel like installation art—each frame packed with rich meaning and deep emotions. ④ “Know Yourself, Know Others” Recently watched and loved this true hidden gem. It’s about the tragedy of vanity and fame, a familiar theme, but this film struck me. The coldness of human nature stands out starkly beneath the glamorous surface—a beautiful woman who looks like a clown. That’s the cruel reality. ⑤ “Ghosts of the Hive” A haunting fable about a girl’s growing up. Innocence is scary, yet this film shows it in a mysteriously beautiful way—shocking in its beauty, and bold in its darkness. ⑥ “The Lonely Blind Woman, A Ling” Shima Iwashita is stunning here. Some lives are born empty and remain empty until the end. Some say sorrow deepens beauty, but I don’t quite agree. I understand how beauty hits the soul, but sadness can also feel just as absolute. #entertainment #movie #bittersweetbeauty

Hidden Gems | “Beauty That Breaks Your Heart”
ian15

Alright, gotta tell you about my top 5 Sono films — they’re wild but so good!

Sono’s this Japanese director who’s kinda crazy in the best way. His movies go all out with bold visuals, family drama, and some weird dark humor. Honestly, his style is kinda strange, but that’s exactly why I’m hooked. Here are my faves from him: 1. Love Exposure — totally nuts, but also kinda touching 2. Strange Circus — like a mind trip on steroids 3. Noriko’s Dinner Table — creepy vibes, but I actually like it 4. Cold Fish — bloody but with a weirdly funny twist 5. Guilty of Romance — super dark and intense Honestly, I don’t usually watch stuff like this, but Sono’s films mess with your head in the best way. You’ll wanna watch, then feel like your brain’s scrambled. Give ’em a try sometime — you’ll probably hate it and love it at the same time! #Entertainment #movie recs #Japanese director #cultfilms

Alright, gotta tell you about my top 5 Sono films — they’re wild but so good!
ian15

Movie Recs|Looking for fun cult films (hot cast + creative kills welcome lol)

Hey y’all— I’m kinda new to cult films, so I probably haven’t seen even the popular classics. Looking for any recs, but here’s what I personally enjoy: 🩸 Creative kills — not into torture-for-torture’s-sake, just fun/weird murder setups 🔥 Hot cast — pretty girls a must, handsome guys a bonus 🎥 Color films preferred (black-and-white okay if it really slaps) 🚫 Nothing too extreme or underground — stuff like Vomit Gore or Guinea Pig is too much for me lol I liked stuff like 2001 Maniacs, Terrifier — that kind of over-the-top fun. Thanks in advance!! 😈🎬 #Entertainment #movie #cultmovies #horrorrecs #movienight #slashers #campyfilms #gorebutmakeitfun #recommendationsplease

Movie Recs|Looking for fun cult films (hot cast + creative kills welcome lol)
ian15

✨ A Hidden Gem That Shows What Chinese Indie Cinema Should Look Like

Jiaoma Theatre (《椒麻堂会》) – 8.5 on Douban, directed by Qiu Jiongjiong. This is hands down one of the most quietly powerful Chinese films I’ve seen this year—and easily one of the most beautiful. Shot entirely in black-and-white, it blurs the line between documentary and fiction. Through the rise and fall of a Sichuan opera troupe, it traces nearly a century of local life, culture, and memory. No plot twists. No flashy drama. Just a slow, haunting unraveling of time. Every frame feels like a painting in motion. The way he stages the scenes—it’s so raw, theatrical, and personal. The film doesn’t shout, but it stays with you. I found myself thinking about it for days. If you’re drawn to indie films with strong visual language, deep cultural roots, and a poetic sense of time—this is one you absolutely can’t miss. #entertainment #movie #indiecinema

✨ A Hidden Gem That Shows What Chinese Indie Cinema Should Look Like
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