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ian15

My Favorite Movie. Period.

If I had to choose one film to carry with me for life—it’s The Worst Person in the World. No contest. Julie is 30 and lost. Not in a tragic way. Just… real. She ditches med school, dabbles in psychology, takes photos, dates an older man who wants kids—and doesn’t. Then there’s the affair, the unplanned pregnancy, the breakup, the mess. All of it. Every decision feels like reaching for roses in thorns. But what floored me most? That one line: “If men got periods, we’d talk about them constantly.” She says it. Calmly. Clearly. And suddenly I was crying in a way I didn’t expect. This isn’t a sweet coming-of-age story. It’s a film with frost on its surface and fire underneath. Oslo glows cold and distant. The steam from her coffee carries more truth than most entire scripts. Watch it. For the ache. For the honesty. For yourself. #Entertainment #movie #MovieConfession

My Favorite Movie. Period.
ian15

6 Surreal Films That Don’t Want to Be Understood

Some films aren’t meant to be solved. They’re meant to be felt. I used to watch with a notebook in hand—mapping metaphors, decoding color palettes. Then I saw The Color of Pomegranates, and something shifted. It didn’t explain itself. It just… existed. Like a dream you wake from, shaken but unsure why. These 6 films taught me that beauty doesn’t need closure. Sometimes, the farther you are from “getting it,” the closer you are to its core. 🎥 Dreams (1990, Kurosawa) — Eight vivid dreamscapes across a lifetime. 🎥 The Fall (2006, Tarsem Singh) — Shot in 26 countries, it’s grief dressed in fantasy. 🎥 The Color of Pomegranates (1969) — A poet’s life told in symbols, not words. 🎥 Ashik Kerib (1988) — A love story told like silent ballet. 🎥 Shirley: Visions of Reality (2013) — Edward Hopper paintings brought eerily to life. 🎥 The Holy Mountain (1973) — Chaos, religion, power—then release. Which film made you feel lost in the best way? #entertainment #movie #surrealism

6 Surreal Films That Don’t Want to Be Understood
ian15

China Made Black Mirror—in 1986.

Way before The Wandering Earth, China made a sci-fi film so bold, so absurd, it still feels ahead of its time. Dislocation (1986) is a forgotten gem where an overworked scientist builds a robot twin to sit in boring meetings so he can focus on research. So far, so hilarious—and so painfully relatable. But the robot doesn’t stay obedient. It learns to smoke, drink, fall in love. It starts living his life. And what begins as satire slowly turns into a philosophical spiral on consciousness, identity, and control. The scientist tries to shut it down. The robot finds ways to survive. No fancy effects. No interstellar war. Just surreal colors, red and blue mood blocks, eerie dream logic, and a robot quoting Laozi in the desert. It’s less sci, more fi—and honestly, more real than most recent AI films. #entertainment #movie #lostclassic

China Made Black Mirror—in 1986.
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