Loops, Layers, and London Light: Emily Kraus Paints Time in Motion
A metal scaffold, rotating poles, and stitched canvas loops—Emily Kraus’s East London studio looks more like an inventor’s workshop than a painter’s den. Her process is a choreography of repetition: each canvas is wrapped, painted, and spun, creating striated marks that echo like a visual glitch, fading with each turn. This method, born from makeshift beginnings with shower poles and wooden brackets, now anchors her expanding practice.
Kraus’s journey weaves through religious studies, meditation in Indian monasteries, and hands-on work with high-tech art production in Madrid. These influences surface in her cyclical approach to time and space, visible in the looping canvases and the tension between mechanical structure and organic gesture. Unexpected wrinkles and blank tracks are not flaws but essential signatures—if they’re missing, the canvas is discarded.
Her paintings hint at musical scores, inviting composers to translate their rhythms. For Kraus, discovery is the engine: as long as her process surprises her, the work continues to evolve. Each canvas is both a record of movement and a meditation on boundaries—always in flux, never quite the same.
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