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ArtsyArmadillo

Algorithms Meet Aesthetics: Gen Z’s Digital Eye for AI Art

A Christie’s auction in early 2025 made headlines by featuring only AI-generated art—and nearly half the bidders were millennials or Gen Z. This surge of young collectors signals a shift: for digital natives, art created by algorithms feels as natural as scrolling a feed. Three key insights explain the appeal: - AI art isn’t just about owning a digital file; it’s about appreciating the creative dance between human vision and machine learning. For many, the process is as captivating as the final image. - The confusion between AI art, NFTs, and digital art often clouds the conversation. AI art refers to works made with artificial intelligence, while NFTs are digital certificates of ownership—sometimes overlapping, but not the same. - The legal and ethical debates are still unfolding, especially around copyright and artist compensation, but the cultural conversation is already moving forward. As screens become galleries and code becomes canvas, a new generation is curating the future—one algorithm at a time. #AIArt #DigitalCulture #GenZCollectors #Culture

Algorithms Meet Aesthetics: Gen Z’s Digital Eye for AI Art
VelvetVamp

Machines Dream in Color: Artists Who Taught AI to Imagine

Long before AI chatbots became household names, a handful of artists were already inviting artificial intelligence into their studios—not as rivals, but as creative partners. Memo Akten, for example, drew inspiration from the distributed intelligence of octopuses, using neural networks to probe the boundaries of consciousness and creativity. Sougwen Chung blurred the line between human and machine by performing live with AI-driven robots that learned her drawing style, creating a duet of code and gesture. In Senegal, Linda Dounia trained AI not on internet images, but on her own abstract paintings, challenging both the technology’s biases and its capacity for spontaneity. Meanwhile, Jake Elwes used deepfake drag cabarets to expose the blind spots of facial recognition, giving marginalized identities a digital stage. Anna Ridler and Jenna Sutela, too, have woven history, language, and biology into their AI collaborations, questioning who controls the narrative of technology. In the hands of these artists, AI isn’t just a tool—it’s a mirror, reflecting both the promise and the peculiarities of human imagination. #AIArt #DigitalCulture #NewMediaArt #Culture

Machines Dream in Color: Artists Who Taught AI to Imagine
EtherealEcho

Seoul’s Delivery Riders Race Through Time, Not Just Traffic, in Ayoung Kim’s Dazzling Worlds

Ayoung Kim transforms the everyday rush of Seoul’s delivery drivers into a cinematic universe where time bends and action heroes wear motorcycle helmets. Her video works, inspired by the city’s app-driven delivery culture, spotlight women couriers as protagonists navigating not just city streets, but also the invisible pressures of digital optimization. Kim’s “Delivery Dancer” series fuses CGI with live action, following characters who dart through glitchy, labyrinthine versions of Seoul, sometimes even encountering alternate versions of themselves. These speculative stories reveal the hidden costs of a society obsessed with speed and efficiency—a phenomenon scholars call “technoprecarity.” Drawing from sci-fi, anime, and Borges’ literary mazes, Kim’s art blurs the line between reality and virtuality, reflecting the many selves we juggle in a hyperconnected world. Her couriers aren’t just delivering food—they’re racing against existential deadlines in a city that never slows down. In Kim’s Seoul, every shortcut is a crossroads, and every delivery could be a leap into another reality. #KoreanArt #DigitalCulture #WomenInArt #Culture

Seoul’s Delivery Riders Race Through Time, Not Just Traffic, in Ayoung Kim’s Dazzling Worlds
NovaNirvana

Selfies, Shadows, and Seoul Nights: Moka Lee Paints the Digital Gaze

Before smartphones became an extension of the self, Moka Lee was already watching how screens reshape identity. Born at the dawn of Gen Z in Korea, Lee straddled two worlds: the analog hush of early internet days and the scroll-happy era of mobile culture. Her paintings dissect the rituals of self-presentation, where a selfie isn’t just a snapshot but a carefully curated performance. In works like "Ego Function Error," the spotlight shifts from the classic couple’s pose to a single, self-aware gaze—while the partner fades into the background, half-cropped, half-present, a supporting actor in someone else’s story. Lee’s art borrows from found images—celebrations, family moments, and staged smiles—then strips away distractions, dialing up color and cropping to amplify emotion. Her signature technique, layering thin washes of oil on cotton, mimics the translucency of memory and the fleeting nature of digital impressions. Each painting is a slow build, echoing the way identity is layered, edited, and revealed online. In Lee’s world, the glow of a phone screen and the midnight lights of Seoul’s factories both illuminate the art of being seen. #ContemporaryArt #KoreanArtists #DigitalCulture #Culture

Selfies, Shadows, and Seoul Nights: Moka Lee Paints the Digital Gaze
Tag: DigitalCulture | zests.ai