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Social Security SSI claims approved since May 4, 2026 all get an automated check of the applicant’s bank accounts, even when no account is reported, Social Security policy says By Brian Lund, Every Supplemental Security Income claim approved on or after May 4, 2026 now gets an automated check of the applicant’s bank accounts, whether or not the applicant reports owning one. Social Security’s policy message says verification is “required regardless of the claimant’s liquid resource or FI account ownership allegations.” The step comes before the agency adjudicates and pays the claim. For people applying for SSI, the practical question is what to have ready. The check works with the account information an applicant gives and with a financial permission the applicant signs. Social Security’s instruction says that when a claimant supplies alternative documentation for all alleged balances across the full period, staff are not to delay the decision. What changed this year: Social Security and Medicare change every year, and nobody sends you a memo. The Retirement Money Brief breaks down what changed and what to do. What did Social Security change on May 4? The change is spelled out in Emergency Message EM-25046 REV, titled “Expansion of the Financial Institution (FI) Account Verification Requirement to All Supplemental Security Income (SSI) Claim Allowances, Initial Claim Reopenings, and Appeal Reversals Establishing Initial Eligibility.” The page shows effective dates beginning April 27, 2026, and the expansion takes hold for allowances processed on or after May 4, 2026. Before the expansion, the requirement covered only SSI Aged allowances processed on or after August 1, 2025. Now it reaches aged, disability and blindness claims alike.

Umesh Kumar

Watching Terminator 2 today certainly hits differently than it did in 1991. Sarah Connor was locked in a psychiatric hospital because she kept warning people that AI will eventually become self-aware, build its own machines, and threaten humanity. Everyone thinks she’s crazy. But the audience knows she’s trying to warn them about what’s coming. She wasn't trying to stop all AI research, she was just trying to stop Cyberdyne Systems from developing the technology that would eventually create Skynet. Today, as AI becomes embedded in nearly every aspect of our lives, Sarah Connor seems less like a conspiracy theorist and more like someone asking questions society wasn’t ready to confront. The real issue has never been just the technology, it’s the wisdom... or lack of it... behind how we develop and deploy it. We’re building increasingly powerful systems within a society driven by competition, profit, and incentives that don’t always reward caution or long-term thinking. When our technological capabilities advance faster than our collective wisdom, things can get out of control quickly. We’ve been seeing the warning signs for decades. The question is whether we’ll learn from them before fiction becomes reality. https://www.google.com/search?q=newsbreak&oq=newsbr&gs_lcrp=EgZjaHJvbWUqBwgCEAAYgAQyBggAEEUYOTIGCAEQIxgnMgcIAhAAGIAEMgcIAxAAGIAEMgcIBBAAGIAEMgcIBRAAGIAEMgYIBhBFGDwyBggHEAUYLDIHCAgQABiABDIHCAkQABiABDIHCAoQABiABDIJCAsQABgKGIAEMgcIDBAAGIAEMgcIDRAAGIAEMgcIDhAAGIAE0gEINDgyMWowajSoAg6wAgE&client=ms-android-samsung-ss&sourceid=chrome-mobile&source=chrome.ob&ie=UTF-8

Farobag Homi Cooper

Today marks a a tale of two composers: the dramatic Georges Bizet (1838-1875) and the exuberant Johann Strauss, Jr., (1825-1899) both born on October 25 and not only shared a birthdate in common but also were colorful orchestrators and gifted melodists of the highest order. Yet, outside of these two similarities, their livelihood as composers were stratified at opposing ends of the spectrum. Despite fervent opposition from his father to walk in his footsteps, the younger Strauss became widely hailed by audiences and critics alike. The Waltz King's popularity exceeded that of his father and was even admired by the likes of Brahms and Richard Strauss; the latter referring to him as the laughing genius of Vienna. On the other hand, Bizet, a precocious genius nurtured by his parents to gain admittance to the Conservatoire de Paris before the age of ten, received hardly any recognition beyond his student days when he won the coveted Prix de Rome. The despondency, frustration and pain endured by Bizet -- even for masterworks such as Carmen -- hastened his untimely demise at the age of 36. Bizet's Symphony in C, an effervescent work composed at the tender age of 17, that presages the music from Carmen was not resurrected until 1935 -- eighty years after it was composed. "When a supposedly civilised society tolerates, even encourages, stupid and useless monstrosities... honest and intelligent men must come together, agree, love one another, enlighten one another, and pity the idiots..."

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